Hanif Khureshi: A Visionary Who Transformed India’s Streets with Art
Image credits: @zhazo.miachieo | Image Source: Instagram
The passing of Hanif Khureshi, also known as Daku, co-founder of St+Art India and a pioneer of street art in India at 41, has left a deep void in the country’s creative landscape. As an artist who made it his mission to reclaim public spaces for artistic expression, Hanif was instrumental in transforming how art is perceived and experienced in India. He brought art out of galleries and into the streets, making it accessible to all. His vision was not just to beautify spaces but to democratise art in a way that touched the lives of everyday people.
Hanif’s influence on the Indian design industry is immeasurable. With his inclusive approach, he constantly supported young designers and artists, giving them the platform they needed to experiment and grow. Fresh out of college, many students moved to Delhi to work as interns under him. Through his guidance and mentorship, they honed their skills; many are now well-established professionals in the design industry. Hanif may no longer be with us, but he has left behind a legacy of talent and built a thriving community of artists and designers who are now making their own mark, inspired by his spirit and creativity. In this way, he didn’t just create art; he built a community of like-minded creators.
One of the critical aspects of Hanif’s work was his belief that art should belong to everyone. His art was not restricted to the elite or confined to institutional spaces. Instead, he filled neglected streets and forgotten corners of cities across India with vibrant, thought-provoking pieces. His vision was to make art part of the daily lives of ordinary people, whether through bold murals or intricate street installations. Unlike many art festivals and fairs, which tend to cater to specific locations or audiences, Hanif’s interventions spanned the length and breadth of the country, from the streets of Delhi to the walls of Mumbai, Bengaluru, and beyond. His work reached the masses, creating a ripple effect that continues to shape the Indian art scene.
A striking example of Hanif’s artistic vision was his project in Goa, where he created larger-than-life cut-outs of local Goans. The project’s theme was “Goa and Goans, and how Goa looks at outsiders and how outsiders look at Goa.” While many use public art for publicity, showcasing celebrities or politicians, Hanif chose to celebrate everyday, ordinary people. These figures were not famous, yet they were elevated to a monumental scale, capturing the beauty and significance of ordinary lives. This approach reflected his deep respect for the communities he worked within, highlighting the importance of local identities and stories. He was an artist who cared for people, not just the canvas.
As we reflect, Hanif Khureshi’s unwavering commitment to inclusivity made him truly special. His art was for everyone—regardless of class, background, or education. He brought young designers into the fold, gave them opportunities, and encouraged them to push the boundaries of creativity. His influence has shaped the careers of countless artists, many of whom are now shaping the future of Indian design.
We may have lost Hanif, but his legacy lives on in the people he inspired and the streets he transformed. His vision of art for all continues to thrive, leaving an indelible mark on India’s cultural landscape.